In Rhino, we use real-time rendering to check the geometry and coordinate with our clients. We have been using 3ds Max since version 9 with V-Ray 1.5. In both tools, we use V-Ray, especially for the high-end renderings in 3ds Max. It has Grasshopper for parametric design and a direct link to Archicad, which is powerful CAD software.Īfter we finish the 3D model, we carry on with 3ds Max for the visualization and animation. Rhino gives us the opportunity to import several file formats, and it is a fast tool. In general, we start with Rhino for modeling. Our main business is architecture visualization. What is your typical workflow like, and how does Chaos fit into it? Rather than sticking to rules, he worked on his own terms. He was innovative and a perfectionist, expressive and soulful. We don’t want to compare ourselves with the old masters, but every time we are starting on a new project, we try to handle the light and the materials with all our passion, and often we focus on new techniques. The best could handle the light, the colors, and the shapes perfectly.

Most of the time, it was commissioned work, and the masters tried to bring new techniques into their paintings.

The idea behind RID is the way the visualization business works today - it is a little bit like the way the old masters did their work. That was the starting point for Rembrandt is Dead (RID). Over the years, our business became more specialized in visualization, and we were searching for a unique brand name. The first name was a fast decision, and we did not really think about it. The P was for Paechthold, 2 for Anne and myself, and Konzept because we initially did many conceptual projects. The first name of our studio was P2Konzept. We started our business in 2012 after working in several architecture and design offices. What is the story behind your studio’s name?

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